Getting Paid for the Gig
by: Peter Drew
You’ve launched your voice-over business. You market
your demo. You network. You audition. You get gigs. Now
all you have to do is get paid.
Union or Non-Union?
For AFTRA and/or SAG union talent, getting paid in a
timely fashion is a benefit of union membership. It’s
built into the union contract. Union talents fill out a
form at the session and then submit it to a paymaster
(someone contracted with the union to handle talent
payroll). The paymaster ensures that the talent is paid
within a time period specified by the union contract.
Non-union talent and financial core talent doing
non-union work are totally responsible for collecting
what’s owed to them. Financial core, if you aren’t
familiar with the term, refers to less than full union
membership. Financial core union members have paid the
portion of dues and fees dedicated strictly to
collective bargaining, excluding any activity not
directly related to collective bargaining. You might
call it “union lite.” Financial core members do not have
voting rights and cannot hold elective office in the
union, but they also do not have to abide by union rules
and regulations.
Types of Clients
So, what payment policy should you, the non-union
talent, adopt? Just as the Internet has changed the
voice-over business by making the home voiceover studio
possible, the Internet has changed collection by making
it possible to take payment electronically. PayPal is
just one of a number of the online options that make
requesting immediate payment possible, instead of
sending a paper invoice through the postal system and
then waiting for a paper check to be sent to you. But
before discussing methods of accepting payment, let’s
look at the various types of clients out there and the
payment policy that may best apply to each one.
Most businesses base their payment policies on
assessment of risk. Assessing the risk you take with a
client usually is a matter of simple common sense. If an
individual contacts you through your web site and asks
you to narrate a wedding video or tribute to a deceased
relative, then probably it would be wise to request
payment up front before delivering the voice over. If
the individual balks at paying up front, then you can
agree to voice the script, play the voice-over down the
phone line to prove you did it, get paid, and then
deliver the voiceover.
Working with ad agencies and production houses
usually means giving up a little control of payment
terms. You can request payment up front, but most ad
agencies and production houses expect to be invoiced.
You can put “due on receipt” on the invoice, but that is
often interpreted as “30 days net.” There are some
excellent ad agencies and production houses out there
that pay promptly, but very often you will have to wait
30 days or more for payment. Be aware: many smaller ad
agencies and production houses have adopted a policy of
not paying you until they get paid. In the ad biz, this
means you can wait a long time for payment.
(On a personal note, after waiting a year for payment
from a small agency for a VO I’d done for a local
electronics and appliance retailer, I finally reached an
agreement to accept a color television in lieu of cash.
A couple of months later, the retailer went out of
business, a victim of serious negative cash flow! Did
the ad agency ever get paid? Good question.)
Doing voice work directly for mid-sized to large
corporations usually means having to bill on a 30-day
net basis. This means, in essence, that you end up
offering 30 days credit interest-free. The good thing is
the risk of not getting paid is usually low. Will some
companies push payment out 60 days and even further?
Yes, but again you’ll eventually get paid.
Payment Options
So, let’s go through the individual types of clients
and your payment options.
For individuals, request immediate payment. As
described above, play the completed voiceover down the
phone to prove it was done and then ask for payment.
Once payment is made, deliver the voice over.
For direct work with larger companies, ad agencies,
and production houses, request immediate payment upon
receipt of invoice. If they say their policy is 30 days,
try for 15. For long-form voiceovers involving many
pages and a large talent fee, try requesting 50 percent
up front and 50 percent upon delivery of the project.
Remember everything is negotiable. You can even
barter for part of your fee. Remember how I received a
TV in lieu of cash? Of course, keep track of your
receivables (what’s owed you). When a client does not
pay by the due date, send a statement. Make a polite but
firm phone call requesting payment. Be proactive. Most
people pay their bills. But for many clients your
invoice will not be top of the pile, so to speak.
Payment via the ‘Net
Now, back to collecting via the ‘Net. PayPal is a
very popular site for collecting or sending payments.
Just visit
www.paypal.com and sign up. Clients can pay by
credit card or through electronic transfer from a
checking account. You’ll receive an email telling you
when the transfer of funds has occurred. This makes it
perfect for collecting an up front payment. As soon as
you receive the email, you can deliver the voiceover.
www.worldpay.com and
www.verisign.com are two other online payment
processors you can check out, too.
Want to take credit cards? You’ll have to open a
merchant account in order to accept them. It will cost
you a fee to open the account, a monthly fee, a fee for
each transaction, and a percentage of each sale. Do an
online search for credit card merchant accounts and
compare costs and services to get the best deal.
Direct wire transfer is a third electronic payment
option. Set up a checking account used exclusively for
wire transfers. You supply the client with your checking
account number and the banks routing number, and the
client transfers funds directly from his account to
yours. It works well and can cost virtually nothing
depending on the deal on the account you get from your
bank. One of my TV imaging clients pays by wire
transfer. I email an invoice out of my QuickBooks and
usually the next day the money is in my account!
With a payment policy in place, you’ll gain greater
control over how and when you get paid. Hey, it might be
a really fun business, but it’s no fun not getting paid.
Happy collecting!
© Peter Drew
About The Author
Peter Drew, a freelance voice-over talent and copywriter/producer with
28 years of experience, is heard on radio and
television stations, corporate presentations, web
sites, and messages-on-hold across America and
countries around the world. To send an email
regarding this article, please visit Peter Drew
Voiceovers at
http://www.peterdrewvo.com. |
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