There are two main types of
photography to sell, that is assignment photography
and Stock Photography. Assignment photography is
taking photographs of a predetermined event, and
stock Photography is taking photographs in the hope
that you will be able to find a future buyer. Most
professional photographers take both types, the
weddings and portraits take care of immediate bills,
as they command a higher price, because they are
generally only of interest to a limited number of
people. There are exceptions like being hired for a
specific assignment to photograph an Olympic Event,
and then being able to sell that photograph
Internationally. In general, stock photographs
command a lower price, but they are more saleable to
a wider base.
Stock photographs’ are generally sold on the
Internet through what is known as “Stock Libraries”.
They generally all work on a very similar system,
you take photographs and submit them to a stock
library and they sell them to interested parties
such as travel brochure companies, advertising
agents, book publishers. This way of marketing
photographs has distinct advantages, if you are a
part time freelancer, or have just started your own
business. Either way you are probably too busy
making portfolios, and taking pictures to market
them. Another factor, which makes this method of
marketing advantageous, is that when you are
starting you do not have the network of contacts to
market your photographs. Added to that there are
some people who won’t or can’t perfect their
marketing skills.
A downside of this marketing method is that there
is a little more to it than taking photographs and
waiting for the Royalty cheques to come in. Most
stock libraries, will want to re-caption your
pictures to fit in with their image, this can be a
time consuming process and it can take months to get
them online. Like many aspects of selling it is a
“numbers game”, the more photographs you have
available to sell the more you are likely to sell.
This is a fairly general aspect of marketing, but it
is more specific in this instance, as prospective
buyers may look at other images, if they like one
particular one. Because of the time factor of
getting your work to the buyers or the public, many
stock libraries, have insisted on a minimum
contract, which means that they typically ask to
retain your work for a minimum of two years.
Some of the stock libraries are general and some
are more specific. Marine Themes obviously
specialise in underwater photography, and they scan
and correct all their images before sale. They are
then color corrected to ensure that any prints will
be the best quality. All this takes time, to get the
images actually for sale on the Internet. The
benefit is that marine photography is highly
specialised, and this process does increase your
chances to merchandise your work.
In the past the market was limited to buyers who
were sent colour brochures and made their selection
from them, now the market is expanding, as many
libraries have widened their sales base by allowing
customer’s to make their purchases directly on line.
This factor alone has increased the numbers game the
more people who have access, the more who are likely
to buy. Some stock libraries are general and some
are highly specific such as South African images.
Some cover specialist areas such as marine
photography, or nature.
So how do you choose the stock library that will
be the most beneficial to you? There are independent
reports covering the various strengths and
weaknesses. The annual Freelance Photographer's
Market Handbook in the UK features a section on
stock libraries and is an excellent reference guide.
Some of the stock libraries have been established
for ten years. They have hundreds of photographer’s
and hundreds of thousands of images. As a result of
this they may be reluctant to take on new clients.
However if you have a large portfolio available
immediately it may be worth trying one of the older
companies. However you will be competing with
established photographers who have built up a client
base. Many of the new companies have less than a
hundred photographers and you will start by being a
bigger fish in a smaller pond.
At the end of the day, the choice has to be your
personal decision, and there is nothing to stop you
from registering with more than one library. Whilst
the market is growing and will continue to grow to
encompass on line sales, remember to consider that
sales from a printed catalogue will be important for
a while, and it may be advantageous for you to
choose a library with a well referenced catalogue.
Every stock library has different terms and
conditions. In general most give you a straight 50%
of the earnings. However some do let the images go
into the hands of “sub agents”, and they will expect
an additional cut from any sales. Read your contract
well before you sign and beware of copyright issues.
Normally when the photograph is sold the buyer is
issued with a license number, which only allows them
to use the image the once. You minimise your
royalties if you allow a buyer to pay once and then
get multiple uses out of it.
All in all if you are prepared to look at your
market strategy over a long period of time, stock
libraries offer you an option. There are forums for
professional photographers that do address the
issue, and it may be worth you looking into othe
peoples style and work. Here are some I recommend
you look into and consider selling your stock
through:- PhotoStockPlus and Photo.com
There are also available a huge number of royalty
free sites. You may question why buyer’s would
consider paying for an image whilst they can obtain
other’s free? The answer here is that royalty free
photographs don’t make them free, you do purchase
them, but you have the rights to re-use the stock
photos and CDs for as many different projects and
clients as you wish without paying further licensing
fees.